The Dixon Plaza Monorail Station once was a symbol of an optimistic Sydney busily preparing itself for the mass migration the Olympics blesses its host cities with. For the past seven years this monorail site had laid unused with inches of dust covering its floor without a footprint of man nor bird.

The plaza itself is early 90s salmon pink with chrome tubular handrails framing glass balconies. The aspirational architecture, much like the monorail, seemed to whisper a promise to its then-contemporaries; this whisper is now a careless sweet nothing. A sign which once read "Fun Fashion Food" has now lost its first F, symptomatically disagreeing with its former self.

This iteration of osmosis is concerned with returning to the past as a form of therapeutic escape. Rather than using light to reveal, light is used to be the revelation. The sound playing is on constant loop with no clear starting point or end. Without a set of clear instructions, the primal experience of life is used to fill in the blanks — and this is how osmosis facilitates time travel.